《匹诺康尼艺术史》节选 Excerpt from Penaconian Art History

筑梦学院的教科书节选，原书对匹诺康尼的文化传承做了详尽的介绍。 An excerpt from the textbook used at Dreamweaver Academy, providing a comprehensive introduction to the culture of Penacony.

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第三章·在梦境艺术之前……

Chapter 3: Before Dreamscape Arts...

「监狱」听上去是个和艺术无缘的概念…果真如此吗？

The word "prison" does not sound like something remotely related to arts... Is that really so?

诚然，在战时，人们完全用不上「艺术」一词，但毫不夸张地说，那时人人都可被称为艺术家。

Admittedly, during war, "arts" is not a word people would ever get to use. However, it is no exaggeration to say that everyone can be called an artist during times such as those.

试想……

Think about it...

一个仅靠想象便能作画的环境。

An environment where artworks can be made manifest by the power of thought alone.

帮派间的威慑往往倾向于采用最为夺目的表现手法。

The intimidation between gangs and factions tends to favor the most eye-catching expressions.

拓梦者需要为那些联觉信标无法适用的伙伴留下显而易懂的危险信号。

Explorers of dreams must leave behind blatant and comprehensible signals of danger for those who could not use Synesthesia Beacons.

民众用图案来为私人物品打上印记。

Members of the public use symbols and images to mark their personal effects.

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人们每每以个人风格表达自己的欲望，将免费且斑斓的忆质颜料肆意涂抹在梦境的各个角落，有时毫不在意那片载体是否归属于他人，或原本有着其他用处。

People often express their desires through personal style, splashing the costless and vivid memoria paint across every corner of the dreamscape, with little regard for whether the canvas belongs to someone else or had another intended purpose.

某些平整宽阔的优质「画板」上，甚至有数以十计出自不同人手的图案彼此层叠，呈现出诡异迷人的模因。

On certain smooth and expansive "canvases" of high quality, dozens of overlapping designs from different hands can be found, creating a strange, yet captivating mosaic of memes.

后来，在匹诺康尼初诞，「艺术」的行为刚刚扎根至梦境时，人们脑海中浮现的仍然是那些随处可见的图样，也就是现在被称为原初梦境艺术的涂鸦原型。

Later, during the early days of Penacony's birth, when the act of "art" had just begun to take root in the dreamscape, the images that surfaced in people's minds were still those ubiquitous patterns — Graffiti prototypes that are now called Primordial Dreamscape art.

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第十二章·梦境与幻梦主义

Chapter 12: Dreamscape and Hallucisomnism

电影产业自建立以来便一直是匹诺康尼的主要娱乐产业，人们对此已十分熟悉。

Since its inception, the film industry has been the primary entertainment industry in Penacony, deeply familiar to every resident.

而这也导向了许多思路清奇的筑梦师与影视工作者在工作之余的思考：

This led many wildly creative Dreamweavers and filmmakers to reflect during their downtime:

「我都在梦里了，能不能别再去电影院看平面电影了？」

"We're already in a dream, do we still have to watch 2D films in a cinema?"

于是，一部分艺术家凭借自己对忆质的了解，尝试开创只属于梦境的崭新表现形式。

Inspired by this thought, some artists, leveraging their understanding of memoria, began exploring new forms of expression unique to the Dreamscape.

幻梦主义思潮由此而生，它兴起于筑梦师们的实验，并在一个琥珀纪内渗透到各个艺术领域。

Thus, the movement of Hallucisomnism was born. It emerged from Dreamweavers' experiments and, over the span of an Amber Era, permeated various fields of art.

遥眼艺术

Dream's Eye Art

起初仅为筑梦师在工作时进行快速移动的工具，但在许多逐梦客表达了对这一体验的惊异与赞美后，他们尝试基于遥眼来设计艺术作品，比如超大型平面画作和不同物件组成的立体雕塑。

Initially, it was merely a tool for Dreamweavers to move swiftly while working. However, after numerous Dreamchasers expressed awe and admiration for the experience, artists began designing works of art based on Dream's Eye. These ranged from massive flat murals to three-dimensional sculptures made from various objects.

然而，虽一度成为话题，在公众参透其本质后，多数见惯梦境奇观的人对这种创作形式很快感到厌烦，再加上整体创作难度较高、遥眼的设置成本昂贵，最终这一创作形式仅维持在小范围。

Despite becoming a brief sensation, as the public began to understand its nature, most grew bored with this form of creation, accustomed as they were to the marvels of the Dreamscape. Coupled with the high difficulty of creation and the expensive cost of setting up Dream's Eyes, this artistic style remained niche.

尽管如此，还是有一批忠实受众定期游览筑梦边境，只为一睹奇观。

Even so, a loyal group of enthusiasts regularly visits the Dream's Edge, just to witness these wonders.

夸张梦核

Exaggerated Dreamcore

人们对梦境的印象可以抽象出一些共通的表现，将它们以艺术形式落地，便是所谓的「梦核」。

Impressions of the Dreamscape can be abstracted into common representations, which, when translated into art, are known as "Dreamcore."

而我们本来就身处梦境之中…这意味着创作者可以更为大胆。

Since we already reside within a dream... this allows creators to be far more daring in their concepts.

《夏日的海滨公馆与单筒望远镜》佚名 梦境建筑 绿洲的时刻

The Summer Seaside Mansion and the Monocular by Author Unknown, Dreamscape Construct, Moment of Oasis

作品主体为萨尔索图风格的、体积被放大了一百万倍的单筒望远镜，构成了通向海滨公馆室内的门廊。内部结构为清一色纯白带有游泳池的超阈限空间集合体。

The centerpiece of this work is a Salsottoan monocular, magnified a million times, forming the entrance to the seaside mansion. The interior structure consists entirely of pure white, threshold-defying spaces filled with swimming pools.

此类创作因对忆质资源的占用而被家族进行限制，后来逐步淡出创作者的视野。

Creations similar to this are restricted by The Family due to their high memoria usage and have gradually faded out of the creators' radar.

幻觉艺术

Illusion Art

严格来说，在其他的世界中也存在着类似的艺术风格，其核心为引起观赏者的错觉，如空间感官错乱、色彩诡计等，而梦境则能借助筑梦技术丰富这一体验，甚至使错觉不止限于视觉本身。

Technically, similar styles exist in other worlds, where the core lies in provoking the viewer's illusion — distorting their sense of space, using color tricks, etc. However, in the Dreamscape, dreamweaving technology can greatly enhance these experiences, making the illusions extend beyond just visual perception.

当时的创作者们则认为这是最适合梦境的风格。「在梦里就是要古怪一点」——他们如是说。

At the time, creators believed this style was the most fitting for the Dreamscape. "Dreams should be a bit erratic," they said.

知名作品如：

Notable works include:

《真正的丁香追逐者》佚名 建筑 现存于蓝调的时刻

The True Lilac Chaser by Author Unknown, Architecture, preserved in the Blue Hour

《你以为你在衣柜外面？》佚名 苏乐达瓶作画 创作时间不详 现被猎犬家系封存

You Think You're Outside the Wardrobe? by Author Unknown, SoulGlad Bottle Painting, creation date unknown, currently sealed by the Bloodhound Family

但自第四次谐乐大典起，类似创作便被限制，理由是极易引发迷因事故。

Since the Fourth Charmony Festival, similar creations have been restricted due to their tendency to trigger memetic incidents.

从结论而言，幻梦主义思潮时期诞生的尝试均因各类原因而以失败告终，但这一过程被认为是「足够艺术」，或是「足够匹诺康尼」的。

In conclusion, all exploratory attempts born of the Hallucisomnism Era have failed for various reasons. However, the process has been deemed "artful enough," or "Penaconian enough."

梦泡电影作为该阶段唯一公认优秀的产物被保留至今，工艺使得它的脚步停留在了匹诺康尼，而也正是这份回响，吸引着无数记忆，最终向着匹诺康尼流淌。

As the sole technology currently unanimously recognized as excellent, the art of dream bubble films has been preserved to this day. Its craftsmanship meant its progress has been permanently stalled in Penacony, but it is because of this echo that countless memories are attracted and eventually come streaming, Penacony-bound.

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第三十二章·命途对创作的影响

Chapter 32: The Effects of Paths on Creation

把视点拉回后一纪，匹诺康尼的同谐之声逐渐明晰的时期，与之相对的不和谐音趋于消弭。

Pulling the perspective back by an Era to the time when Penacony's sounds of Harmony gradually became clearer, the dissonant sounds in contrast began to fade away.

我们熟知的折纸大学的创立者，也是其时隐夜鸫家系家主格拉克斯，在最后选择采用了一种较为温和的方式来表达对于家族、以及同谐命途所行之未来的担忧。

The founder of the well-known Paperfold University and head of the Nightingale Family at the time, Glaux, ultimately chose a more gentle approach to express his concerns regarding The Family's future and the Path of Harmony they followed.

《十六幅画作》格拉克斯 忆质画作 现存于折纸大学博物馆

Sixteen Art Pieces by Glaux, Memoria Artwork, currently conserved in the Paperfold University Museum

画面主体是十六个身着各异的画家，头部被夸张化为音符的形状，他们在用完全一样的方式作画，而画布上的画面也一模一样。

The central image features sixteen painters, each dressed in distinct attire, with their heads exaggerated into the shape of musical notes. They are all painting in exactly the same manner, and the images on their canvases are identical.

这副忆质画作的意象十分明确，乃至无需过多解释就可领会创作者的意图。

The imagery in this memoria painting is remarkably clear, requiring little explanation to grasp the creator's intent.

家族对此相当重视，而做出回应的不是别人，正是格拉克斯的弟子，后来的筑梦大师费歇尔。

The Family placed significant importance on this work, and the one who responded was none other than Glaux's disciple, the future Dreamweaver Master, Fischer.

《第十七幅画作》费歇尔 立体忆质画构 现位于太阳的时刻

The Seventeenth Art Piece by Fischer, 3D Memoria Art Construct, currently placed in Moment of Sol

这一画作延用了《十六幅画作》的构图，将其立体化的同时做出了一些调整，每位画家绘画时的姿势都十分不同，且画作内容虽线条一致，颜色与明暗却有所区分。

This artwork builds upon the composition of Sixteen Art Pieces, transforming it into a three-dimensional form while making certain adjustments. Each painter's posture while painting varies greatly, and though the lines of the artworks remain consistent, the colors and shading differ.

精妙之处在于，从特定角度看去，十六幅画作能够拼合成一幅尺寸更大的优雅风景画。

The brilliance lies in the fact that, when viewed from a specific angle, the sixteen individual paintings merge into a larger, elegant landscape.

这两幅作品被认为是探讨「同谐命途」与「创作自由」二者之间关系的最为简明的阐述，而此后不久，折纸大学落成，格拉克斯也指定费歇尔作为下一任家主，使得作品再一次陷入热议。

These two works are regarded as the most succinct explorations of the relationship between "the Path of Harmony" and "creative freedom." Shortly after, with the establishment of Paperfold University, Glaux appointed Fischer as the next head of the family, reigniting discussions around the artworks once again.

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